展览——《干预与植入》前言

本次展览“干预与植入”汇集了五位女性艺术家的绘画、装置、影像，艺术作品元素藏于日常的细节当中。除了先天的基因差异与性别生理因素，长久以来的生产生活方式，决定了女性与真实的日常生活有着更大的接触面积与摩擦力，这在一定程度上使得女性生出了更多的触角，对周遭的事物有着更加深入且广泛的嵌入，以及更加细微的体察。伴随着全球化和资讯化发展，人类作为当下统治文明的建构者，大多数人被社会景观中的渗透图像所颠倒彻盖，一种“非强制”干预逐渐改写我们的真实需要和身份象征。社会演进下各种规则的建立、推翻、再重建，让眼前拨开一层迷雾又再深陷泥泞。展览意在探索当代社会发展进程下图像信息对人的干预和植入，艺术家对周遭环境的态度呈现，对自然和本真的纪述、漂离和再造。从现实分离的本性，为所有在场者提供暂离旁观的审慎时刻。

→ ENGLISHThe exhibition "Intervention and Implantation" brings together paintings, installations and videos by female artists, with elements of the artworks hidden in the details of daily life. In addition to innate genetic differences and gender physiological factors, women's longstanding way of production and life determines a greater contact area and friction with real daily life, which, to a certain extent, makes women develop more tentacles, embedding themselves in a deeper and wider range of things around them, as well as a more subtle understanding. With the development of globalisation and information technology, human beings, as the constructors of the current dominant civilisation, are mostly inverted by the pervasive images in the social landscape, and a kind of "non-compulsory" intervention is gradually rewriting our real needs and identity symbols. A "non-compulsory" intervention gradually rewrites our real needs and identity symbols. The establishment, overthrow and re-establishment of various rules under the evolution of the society makes us clear away a layer of fog and then sink into the mud again.

This exhibition intends to explore the intervention and implantation of graphic information on human beings in the process of contemporary social development, the presentation of the artist's attitude towards the surrounding environment, and the chronicle, drifting away and reconstruction of nature and nature. The nature of separation from reality provides a moment of caution for all those present to step away from the spectator.